Suggested Learning Resources
http://astro.temple.edu/~mklein01/DiatRV7handout.htm
- If the leading tone is present, it should resolve up by step
- If the chordal 7th is present, it should resolve down by step
- *When moving from root position V7 to root position I, one of the two
chords must be incomplete (usually omitting the 5th) in order to avoid parallel fifths.
- The strongest harmonic motion will involve the I chord in root position
- All other notes of the V chord should move to the nearest notes in the
one chord for smoothest voice leading (in some cases, the note would stay the same)
- Check for appropriate doubling in both chords according to the doubling
rules/guidelines
- Must avoid parallel and contrary 5ths and parallel and contrary octaves
in any combination of two of the four voices.
- Hidden fifths should be avoided between the outer voices (soprano and
bass)
- Avoid unequal fifths from d5 to P5 (NOTE: P5 to d5 is acceptable)
https://youtu.be/SMZuaJA2zy8
Objective 17.8: Correctly notate the resolution of a V7 (of any inversion) to I chord
following proper voice leading rules